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Happy in the End: Artist Statement

Happy in the End: Artist Statement

The work in Happy in the End is about recontextualizing universal symbols, the ones that are so prevalent they are considered clichéd, in order to construct emotive visuals out of the commonplace.

While creating my latest work I was specifically thinking about the sublime, defined not by awe-inspiring beauty but by the feeling generated when experience surpasses the ability to comprehend. Rational thought is affronted and disrupted by this feeling, and I want to reflect this disruption in my work.

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City of Industry | Art of Industry

A friend of a friend, who works as an editor for various academic publishing houses, swung by open studios last month. I was sharing a studio space with 4 other artists, and she offhandedly mentioned how all of our work had a common thread. This was news to me, so I pressed her on it. She thought for a moment and quickly articulated we were all concerned with industry. 

I haven't considered the industrial as a significant part of my work for years, but it occurs to me now that I've simply been addressing it indirectly through elements like color and processes like screen printing. I’m going to have to invite an editor to my studio once in a while, just to help me understand the obvious.

Take this somewhat obvious revelation in stride, I’ve decided to work on a series that depicts the awe-inspiring if decrepit structures of industry as the background patterns for my figures. 2 years ago I moved to a very industrial area of Oakland; it's full of warehouses, run-down railroad tracks, and cranes. My studio itself is in a converted packaging factory with views of the highway and the Oakland port. Truly, my environment could not be any more industrial. So, I've been working on finding and photographing these industrial objects so that I can turn them into motifs and signifiers in my upcoming work. Here’s a sneak peak of my collection to date.